FOLLY, FEMININITY A MUSING…
Fatuous footstools –femininity as confection, cream puff, cupcake, tartlette…Kim Novak, (the Amorous Adventures of Moll
Footstools and Vanity Benches explores both intrinsic and fabricated femininity. Invoking “low art,” (read: “girl art’) --crafts, interior design, and fashion, I use fabric, hair accessories, beads, and Christmas and floral fare to debunk the value system of Fine Art where frivolity is still the poor cousin to austerity. Although undervalued, frivolity is not vacuous, but teeming with insight about our interior emotional life. Like itsy-bitsy, supra-beribboned doggies on
Like those of materials, twists of language, can divulge the paradoxical nature of what we deem “profound” or “superficial.” In Thomas Mann’s Death in Venice, it is frills that spawn lucid, cogent prose. “Glamour” originated in a Scottish corruption of the term “grammar.” “
“Maja,” one piece’s title, is derived from Maya, the Hindu goddess of material appearances. Maya personifies the central philosophical concept of Hinduism --that the physical world, although intoxicating in its multiplicity and diversion, is actually a veil of illusion. To Hindus, beneath what our senses tell us, there is a sustaining spiritual foundation. But in
Fabric can be defined as both an internal framework, as in the fabric of society and as an external covering. Like veils which both conceal or accentuate, appearances not only lie but also tell the truth.
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