Lida statement
Behind the sculpture on a ledge are three ovals. Appearing to be hat-boxes or some sort of frivolous accessory storage containers, in fact, these boxes contain the profound passages of literature. One of the books in the boxes is Nadja by Andre Breton. This oeuvre depicts a reeling love affair that transports us out of the physical realm of gravity and physics. As a swan glides along the water’s edge, we are conveyed along, drifting through a sensory world of intoxicating emotion. Here, again, is another interweaving of the superficial and the profound.
In the end, I decided to not research Leda’s alleged circumstances further. Instead, I venture my own interpretation. With grace and pretty, fluffy feathers, a swan is surely a feminine entity. I see this saga as being femininity’s ravaging of itself. On one level, with its narcissism, hyper-attention to the external, passivity, and dogged compulsions, femininity’s ravishing siege likely ends in none but our own self-generated defilement.
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